窗
通天地之光亮
晝之希望
夜之光芒
連接住宅與外界
寄托希望承載思緒
Windows
The light of heaven and earth
Hope of the day
Light of night
Connecting the house to the outside world
Hope for emotional support
即使世界萬物種種復(fù)雜、顛倒
卻在一個(gè)理性和平衡的法則中
——蒙德里安
Even if everything in the world is complex and upside down
but in a law of reason and balance
——Mondrian
▲ 形象門頭
窗,
在建筑物中就是格子,
窗框,
就是一條筆直的線條,
由此,
我們定位了以彼?!っ傻吕锇病凹t黃藍(lán)構(gòu)圖”的設(shè)計(jì)主題。
Windows,
In buildings, it's the grid,
Window frame,
It's a straight line,
Then,
We set the design theme of "composition of red, yellow and blue" by Pierre Mondrian.
▲ 空間元素(盒子+建筑體塊)
基于門窗的本質(zhì),我們通過穿插、咬合、片墻、窺探等一系列設(shè)計(jì)手法,
融合建筑形態(tài)以及光影質(zhì)感并結(jié)合三維立體架構(gòu)的組合,
以新造型主義來表現(xiàn)“E格靜音系統(tǒng)門窗”線下展廳的全新面貌。
Based on the essence of doors and windows, we use a series of design techniques such as interpenetration, occlusion, wall slicing and peeping,
The combination of architectural form, light and shadow texture and three-dimensional architecture,
To show the brand-new appearance of the offline exhibition hall of "E-ge Muit System Doors and Windows" with new modeling principle.
從柯布西耶到安藤忠雄
從方盒子到一片墻,
都運(yùn)用到了各具特色的空間原型。
From Corbusier to Tadao ando,
from the square box to the wall,
all of them are applied to the space prototype with different characteristics.
▲ 通道外觀
我們以建筑概念的手法納入空間
懸挑的方盒子穿插離接
片墻簡單直線延伸交接
利用視覺跳色為空間帶入動態(tài)張力
豐富整個(gè)視覺的層次
we bring the concepet into tne exhibition,
the overhanging square boxes are interspersed and disconnected,
simple straight line extension and connection of slice wall,
using visual jump color to bring dynamic tension into the exhibition,
enrich the whole visual level.
▲ 景觀區(qū)
空間以量體層覆交疊
分劃主副場域性質(zhì)
主體為平展長條矩形
The space overlaps with the volume layer,
properties of main and auxiliary fields of partition,
he main body is a flat strip rectangle.
▲ 藝術(shù)廊道
▲ 藝術(shù)廊道
▲ 大衛(wèi)
塑造了一束光
透過”紅黃藍(lán)”藝術(shù)玻璃窗
映射在純白色巖板上
仿佛置身在古歐洲的藝術(shù)廊道里
Shaped a beam of light,
through the " red, yellow and blue" art glass window,
it's mapped on a pure white slate,
as if in the art corridor of ancient europe.
▲ 蒙德里安椅
從平面延伸到立體空間的蒙德里安椅
具有激進(jìn)的純幾何形態(tài)和難以想像的形式
斑駁的斯卡帕藝術(shù)手法窗口
形成空間里獨(dú)有的裝置藝術(shù)
Mondrian chair, which extending from plane to three dimensional space,
has radical pure geometric form and unimaginable form,
The unique installation art in the space is formed,
in the mottled Scarpa s art technique window.
▲ 泡茶及洽談區(qū)
量體在區(qū)域劃分的布局上
看似錯列布置
卻嚴(yán)謹(jǐn)?shù)囊乐灤┛臻g長軸的軸線
由此公領(lǐng)域和私領(lǐng)域得以劃分開來
The layout of the main space,
it seems to be staggered,
but strictly according to the axis that runs through the long axis of space,
thus, the public domain and the private domain can be divided.
▲產(chǎn)品展示區(qū)
層次的分布將空間分割
打破界限
在空間的規(guī)劃間更見交疊與碰撞的共生
The hierarchical distribution divides the space
break boundaries
the symbiosis of overlap and collision can be seen in the planning of space
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